I’ve been trying for weeks now to write something on the subject of paying attention (and trying, also, not to let those weeks turn into months). For that reason, I was all the more charmed to come across Accidental Haiku, a 2009 project by artist Lenka Clayton that’s a true testament to the value of looking closely.
Outlined here, the project features pages from an anonymous diary written in the 70s, in which Clayton found several instances of unintentional haiku (rules of the form include the “use of three [or fewer] lines of 17 or fewer syllables” and a seasonal reference).
This isn’t the first time something like this has caught my eye (see: the spines of books, Google autocomplete, Times Haiku), but I’m grateful for the timing of this particular find—and the happy reminder that there’s poetry to be found everywhere, even in basements that need cleaning, in trips to the hairdresser, in snow on just another winter day.
More art in the everyday:
-Leeks / love
-Coincidental captures
See more from Lenka Clayton, here.
Moon Lists.
The holiday rush now behind me, I've realized that again, several weeks have passed in a flash. I spent most of the last four with my family in California, doing everything we typically do this time of year: watch home videos; rummage through boxes of old photos; indulge in our signature rotation of classic Christmas meals and my mom's virtuosic Japanese dinners, which feature dozens of familiar dishes she (and we) grew up eating. Around the holidays, as always, there's so much of the past present.
2017, as I mentioned here, passed in a blur. This year, I'm making it a goal to focus attention on paying attention—and I'm very happy to have found inspiration in Moon Lists, a site created by writer, editor, and fellow FvF contributor Leigh Patterson. Inspired by a project by photographer Sam Abell, Leigh asks three women every month to reflect on the past 30 days with a short series of questions.
I've particularly liked entries from other writers, like Stephanie Madewell, whose experience of nature last April was punctuated with birdsong:
"...the staccato hops of a woodpecker moving deliberately up and down the trunk of the cedar tree; a swallow flying across the sky, wings out, then in, a swift and joyful looping like writing in cursive with a calligrapher’s pen; the racket of wings from a pair of doves kicked up from the brush; songs and calls in the trees, more and more all the time."
Or Marion Seury of Paris, who stumbled on a breathtaking read in June:
"...someone forgot the book 'à ce soir' by writer/journalist laure adler at my place. she is a marguerite duras specialist and you can feel an influence on her writing i think. a very personal and emotional book. I read it straight. It shook my heart."
Or Su Wu of Mexico City, who received a thrilling call in May:
"I’m pregnant, my best friend said into the phone without hello, and I yelled, holy fuck, on the street in another country. Some guy turned, rushed over and asked, are you okay?, and it was a new kind of joy for me, a whole joy running headlong into kindness, and I said, I’m okay, and really, more than ever this month, I was."
Each year seems to pass quicker than the last. It's easy to forget what happened a week ago, or three months ago, or twelve. I don't like the idea of holding on to the past, but I do like the idea of finding ways to preserve the moments, images, tastes, sounds, smells, and interactions that are the tiles in a year's mosaic—and that make reflecting on the past an act of staying alert, awake, aware.
This makes me think of something my dad wrote the day after drinking a 75-year-old wine in honor of his 75th birthday: "It took me back. And forward."
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Find all of Leigh Patterson's Moon Lists (including those excerpted above in their entirety), here. Photo by Emily Johnston.
2017, as I mentioned here, passed in a blur. This year, I'm making it a goal to focus attention on paying attention—and I'm very happy to have found inspiration in Moon Lists, a site created by writer, editor, and fellow FvF contributor Leigh Patterson. Inspired by a project by photographer Sam Abell, Leigh asks three women every month to reflect on the past 30 days with a short series of questions.
I've particularly liked entries from other writers, like Stephanie Madewell, whose experience of nature last April was punctuated with birdsong:
"...the staccato hops of a woodpecker moving deliberately up and down the trunk of the cedar tree; a swallow flying across the sky, wings out, then in, a swift and joyful looping like writing in cursive with a calligrapher’s pen; the racket of wings from a pair of doves kicked up from the brush; songs and calls in the trees, more and more all the time."
Or Marion Seury of Paris, who stumbled on a breathtaking read in June:
"...someone forgot the book 'à ce soir' by writer/journalist laure adler at my place. she is a marguerite duras specialist and you can feel an influence on her writing i think. a very personal and emotional book. I read it straight. It shook my heart."
Or Su Wu of Mexico City, who received a thrilling call in May:
"I’m pregnant, my best friend said into the phone without hello, and I yelled, holy fuck, on the street in another country. Some guy turned, rushed over and asked, are you okay?, and it was a new kind of joy for me, a whole joy running headlong into kindness, and I said, I’m okay, and really, more than ever this month, I was."
Each year seems to pass quicker than the last. It's easy to forget what happened a week ago, or three months ago, or twelve. I don't like the idea of holding on to the past, but I do like the idea of finding ways to preserve the moments, images, tastes, sounds, smells, and interactions that are the tiles in a year's mosaic—and that make reflecting on the past an act of staying alert, awake, aware.
This makes me think of something my dad wrote the day after drinking a 75-year-old wine in honor of his 75th birthday: "It took me back. And forward."
---
Find all of Leigh Patterson's Moon Lists (including those excerpted above in their entirety), here. Photo by Emily Johnston.
labels
curiosities.
personal
Seeing Double.
I last wrote about French curator Sandrine Kerfante—whose blog, Twin-Niwt, explores themes of symmetry and twinned identities—three years ago. Last week, I received an email from her announcing the release of a book of images based on her finds. (Chronicle Books says that it's just right for friends "who feel as close as sisters, actual sisters who feel as close as twins, and actual twins who will see their duality reflected in...new ways.")
"I hope you'll like it," Sandrine wrote in her email. I do.
"I hope you'll like it," Sandrine wrote in her email. I do.
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photography
Pocket Watch.
Melissa Kaseman photographs the contents of her three-year-old son's pockets as part of what she calls "a taxonomy report of a child's imagination." Among the spoils: pipe cleaners, paper clips, and a crumpled plate that, on first glance, looks like crystal.




More on Melissa's website, here. Have a wonderful Monday.




More on Melissa's website, here. Have a wonderful Monday.
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Material Lust on Sight Unseen.
Although I'd met Material Lust designers Christian Swafford and Lauren Larson before, it wasn't until I visited their studio on assignment for Sight Unseen that I learned the story behind their brand, which produces furniture and home goods with decidedly dark flair. It was lovely to spend a fall morning in their space—to see their latest work, pore over their beautiful (and non-digital!) inspiration boards, and learn more about what inspires their cutting-edge aesthetic.
As it turns out, that aesthetic is one that's routinely confused for demonic. Says Christian: “We posted a photo on Instagram recently of a pentagram and a few of our chairs, and someone commented, ‘Unfollow these Satanists.’ Our design was based off of DaVinci’s Vitruvian Man. It was historical, but it had nothing to do with devil worship. Everyone feels the need to categorize.”
Find the full interview on Sight Unseen. Photos by Emily Johnston.
More from my Sight Unseen archive: Group Partner / Todd St. John / Ladies & Gentlmen Studio. Thanks so much for reading.
As it turns out, that aesthetic is one that's routinely confused for demonic. Says Christian: “We posted a photo on Instagram recently of a pentagram and a few of our chairs, and someone commented, ‘Unfollow these Satanists.’ Our design was based off of DaVinci’s Vitruvian Man. It was historical, but it had nothing to do with devil worship. Everyone feels the need to categorize.”
Find the full interview on Sight Unseen. Photos by Emily Johnston.
More from my Sight Unseen archive: Group Partner / Todd St. John / Ladies & Gentlmen Studio. Thanks so much for reading.
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curiosities.
interiors.
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sight unseen
Melancholia.
Found via Swissmiss: the Melancholia clock, a numberless, colorless timepiece born of a very deliberate and thoughtful design. Writes creator Vadim Kibardin:
Read more, here.
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Author Unknown.
I recently stumbled across Artist Unknown, an online archive of found photographs—little did I know I'd spend the next hour sifting through its posts. What I love about the site is that its images are sorted into categories, so that each entry is a collage of eras and locations, linked by a common theme. Below: Mirrors, Jumping, Long Roads, Happy and Glow.
Visit Artist Unknown for much more, including Headgear, Couch People, Dancing, and TV. Thanks to MessyNessyChic for the introduction.
Visit Artist Unknown for much more, including Headgear, Couch People, Dancing, and TV. Thanks to MessyNessyChic for the introduction.
Isaac Nichols on Sight Unseen.
I interviewed Brooklyn-based ceramicist Isaac Nichols for Sight Unseen earlier this fall, spending an unseasonably warm morning in his Greenpoint studio near McCarren Park. I was already a fan of his famous "boob pots", having seen them in shop windows around the city for months, but I hadn't known anything about his story prior to our meeting. As it turns out, ceramics are a relatively new endeavor for Isaac, who was once a fine arts student and began experimenting with clay amid frustrations with his formal training. Now, his pots have found an audience among creative spirits far and wide. They've even become part of a larger feminist discussion, garnering praise for their realistic shape.
Says Isaac, who likes to listen to Thoreau as he works, "I still have a hard time thinking, ‘Here I am, the boob potter.’ But I’ve been trying not to worry about whether this is the direction I’m supposed to be on. Because before I found success in this, I put a lot of emphasis on, ‘Oh, I don’t do this. I don’t do that.’ And I missed out on a lot of life."

Read the interview on Sight Unseen. Photos by Emily Johnston. More from Isaac, here.
Says Isaac, who likes to listen to Thoreau as he works, "I still have a hard time thinking, ‘Here I am, the boob potter.’ But I’ve been trying not to worry about whether this is the direction I’m supposed to be on. Because before I found success in this, I put a lot of emphasis on, ‘Oh, I don’t do this. I don’t do that.’ And I missed out on a lot of life."

Read the interview on Sight Unseen. Photos by Emily Johnston. More from Isaac, here.
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New Work: Shinola x WorkOf.
For those in a giving mood (and with holiday decorating yet to be done), this beautiful selection of hand-crafted Christmas ornaments is up for auction on Paddle8. Commissioned in collaboration between Shinola and WorkOf—companies that share a commitment to supporting American design and manufacturing—each ornament was made by a different independent designer or maker nationwide. Many take cues from the makers' signature materials and techniques. All have stories behind them.
Among my favorites: Haptic Lab's sequined and pin-studded sphere; Hui Buy's suspended succulents; and Elyse Graham's blueberry-colored Cluster, made using balloons. I also love Daniel Moyer's ornament, pictured fourth below—the artist, perhaps missing summer, recreated the effect of a lightning bug using rounds of lavender resin that glow in the dark.

In honor of the auction, I was lucky enough to interview WorkOf founder Charlie Miner and Creative Director Isaac Friedman-Heiman for Shinola's The Journal. Accompanying studio tours with Eric Trine and Ryden Rizzo—two designers who contributed ornaments to the auction—are up on the WorkOf site, too.
To shop the auction, visit Paddle8. Proceeds benefit MOCAD, the Museum of Contemporary Art, Detroit (a place I was lucky enough to visit during my trip this summer).
Among my favorites: Haptic Lab's sequined and pin-studded sphere; Hui Buy's suspended succulents; and Elyse Graham's blueberry-colored Cluster, made using balloons. I also love Daniel Moyer's ornament, pictured fourth below—the artist, perhaps missing summer, recreated the effect of a lightning bug using rounds of lavender resin that glow in the dark.

In honor of the auction, I was lucky enough to interview WorkOf founder Charlie Miner and Creative Director Isaac Friedman-Heiman for Shinola's The Journal. Accompanying studio tours with Eric Trine and Ryden Rizzo—two designers who contributed ornaments to the auction—are up on the WorkOf site, too.
To shop the auction, visit Paddle8. Proceeds benefit MOCAD, the Museum of Contemporary Art, Detroit (a place I was lucky enough to visit during my trip this summer).
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artists.
curiosities.
personal
Fiction Landscapes.
In love with these "Fiction Landscapes" by J.Frede, who discovers new worlds in the thoughtful arrangement of flea market photographs. Each piece holds its own mystery, and, as the artist points out, spans a wide range of time periods and places. He writes: How many people have stopped at that rest stop and taken nearly the same photo of the plain hillside? All locking their own associations into the view: first road trip with a new love, last road trip to see grandma, one of many road trips alone.
Read more at J.Frede's website, here.
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Moon Glass.
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nature
Party Down.
A big thank you to whomever it was who posted a link to "Women Having a Terrible Time at Parties In Art" on Facebook yesterday. I couldn't love it more—it's the perfect mid-week laugh.

Many thanks to The Toast via Notorious Mag. Happy Wednesday.

Many thanks to The Toast via Notorious Mag. Happy Wednesday.
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